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Friday, May 30 • 11:30am - 12:00pm
(Objects + Research and Technical Studies Session) Managing Construction-Induced Vibration in the Museum Environment

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In the Spring of 2012 The Metropolitan Museum of Art began a large-scale renovation of galleries, offices and storage areas in The Costume Institute, which is located directly below the galleries of the Egyptian Art Department. Vibration from construction activities poses a serious risk to museum objects, and the fragile nature of objects in the Egyptian galleries makes this collection particularly vulnerable. In order to safeguard the collection, a project team including curatorial, collections management, and conservation staff, in collaboration with a group from the Department of Civil Engineering and Engineering Mechanics at Columbia University, worked together to assess the risk to the collection on an object by object basis and developed a range of preventive conservation strategies. This presentation will discuss the methods and procedures that were developed not only to protect the artworks but also to allow visitors continued access to as much of the collection as possible during the work period.


Prior to the renovation, tests were carried out to determine the amount of vibration that would be caused by the demolition of both structural and non-structural elements in the construction zone. Different tools and demolition methods were tested in various locations to assess which would create the least vibration; at the same time techniques for mitigating vibration were evaluated. The implementation of these mitigation solutions, which included isolation of objects and pedestals with SorbothaneĀ® and other vibration-dampening materials, will be discussed. Testing also revealed that shelf design and pedestal shape and material contributed significantly to the degree of vibration amplification. Case studies will be presented that illustrate the response of particular installations to vibration and specific solutions devised for each scenario. For some objects, isolation was not possible; de-installation decisions and logistics will be presented.


During initial testing, a monitoring system to measure vibration levels and to automatically communicate this information to the project team was developed; this system, which used wireless communication, was implemented throughout the effected galleries prior to the start of demolition. Automated alerts were sent via email or SMS (text) message to the project team when defined vibration velocity thresholds were exceeded. The corresponding vibration event signals were recorded on a central server for reference and review. The vibration sensors were placed on gallery floors, directly on objects, or on shelves and pedestals and display case decks. The rationale for the general vibration thresholds used in the project, which were adjusted depending upon the sensor location and context, will be discussed. The quantitative feedback provided by the vibration monitoring system was augmented with daily observation and regular hands-on assessment of vibration levels throughout the two-year project.


Although much information was gained through limited initial testing, the actual construction project often produced unexpected vibration and consequently mitigation solutions had to be adapted. Observations about the response of objects, installations and the building itself to various demolition and construction activities will be shared. The dynamic nature of the construction project required great flexibility, and constant dialogue between all members of the project team, the Construction Department, and contractors was essential to the overall success of this project.


Speaker(s)
avatar for Anna Serotta

Anna Serotta

Project Objects Conservator, Brooklyn Museum
Anna Serotta graduated from the Conservation Center, Institute of Fine Arts, New York University, in 2009, where she majored in objects conservation with a focus on archaeological materials. After graduating, Anna completed a fellowship in the Sherman Fairchild Center for Objects Conservation at the Metropolitan Museum of Art, and was then a Contract Objects Conservator and Assistant Objects Conservator in that same department, working... Read More →
avatar for Andrew Smyth

Andrew Smyth

Professor, Columbia University
Andrew Smyth is a Professor of Civil Engineering and Engineering Mechanics at Columbia University with a primary research focus in dynamics and structural vibrations. Prof. Smyth received his Sc.B. and A.B. degrees at Brown University in 1992 in Civil Engineering and Architectural Studies respectively. He received his M.S. in Civil Engineering at Rice University in 1994, and an M.S. in Electrical Engineering (1997) and a Ph.D. in Civil... Read More →


Friday May 30, 2014 11:30am - 12:00pm
Bayview A-B

Attendees (104)