This event has ended. View the official site or create your own event → Check it out
This event has ended. Create your own
View analytic
Friday, May 30 • 11:30am - 12:00pm
(Electronic Media Session) Creating a Preservation and Access Framework for Digital Art Objects

Sign up or log in to save this to your schedule and see who's attending!

In February of 2013, the Rose Goldsen Archive of New Media Art, part of Cornell University Library’s Division of Rare and Manuscript Collections, received a $300,000 grant from the National Endowment for the Humanities to develop Preservation and Access Frameworks for the complex digital media art objects in its holdings.

The test collection includes more than 300 interactive born-digital artworks created for CD-ROM, DVD-ROM, and web distribution, many of which date back to the early 1990s. Though vitally important to understanding the development of media art and aesthetics over the past two decades, these materials are at serious risk of degradation or obsolescence, and unreadable without legacy computers and software.

The goal of our project is to create a scalable preservation workflow to ensure the best feasible access to these materials for decades to come, and also contribute to the development of coherent best practices in the area of preserving complex media collections.

In May of 2014, we will have completed our first year of the project. Our presentation will provide an overview of our project’s aims, strategies, and desired outcomes, update on progress so far, and describe some recurring and idiosyncratic technical challenges we’ve encountered along the way. Some additional topics we would be particularly interested to share and discuss with the AIC Electronic Media Group include:

• The development of digital collections hand in hand with archival respositories and complex-media delivery systems at a large-scale institutional level

• Establishing assessment criteria for emulation strategies, especially in research archives

• Determining “best feasible” access—that is to say, developing an access plan that acknowledges the real limitations of staff time and technical capacity and aims to maximize the breadth of conservation outcomes.


Madeleine Casad

Curator for Digital Scholarship, Cornell University Library
Curator for Digital Scholarship and Associate Curator of the Rose Goldsen Archive of New Media Art, Cornell University Library.


Desiree Alexander

Collections Analysis Assistant, Cornell University
Desiree Alexander, Collections Analysis Assistant, has worked with the Goldsen Archive since 2012, assisting with the Goldsen’s experimental video and digital media preservation projects. Her interest in both institutional and amateur media preservation builds on a background in Art History and a summer-long internship at the Harvard Film Archives. She is currently completing dual graduate degrees in Public History and Information Studies... Read More →

Dianne Dietrich

Librarian, Cornell University
Dianne Dietrich is a Librarian at Cornell University, where she was awarded a special Digital Scholarship and Preservation Fellowship to become Digital Forensic Analyst and technical lead on the NEH-funded digital preservation grant project. In addition to investigating preservation and access strategies for a range of digital materials, her professional interests include models for virtual libraries and the curation of scientific datasets."

Friday May 30, 2014 11:30am - 12:00pm
Seacliff C-D

Attendees (44)